Thursday, 26 March 2009

MMA going mainstream?

Well, the fact that I came across this article on the Telegraph's website testifies to this idea that Mixed Martial Arts (MMA) is becoming more and more mainstream. The journalist who wrote this article about TUF (The Ultimate Fighter) coming to the UK has "recently added" MMA to his portfolio. Probably due to the anticipated increase in demand.

So for those who don't know (I didn't) TUF is a reality game show based on MMA. Sure we've seen Pop Idol, Strictly Come Dancing,  Dancing on Ice: all 'reality' based shows whereby contestants are on subsequent weeks knocked out. Well watch out UK, the contestants on TUF9 may well be getting completely knocked out!






Menuki

The menuki is a sword hilt decoration found on Japanese samurai swords. It is fitted to the handle (Tsuka) over the (usually) ray skin and under the handle bindings called 'Tsuka-Ito'.

This ornament hides one of the mekugi or holding pegs which are driven through the tsuka joining it to the tang of the blade. It also affords a little 'grip' as this protrudes slightly into the palm of the hand ad I find helps 'locate' the left hand. The left hand is important for cutting in iai.

Nice schema on wikipedia of Japanese sword:

An interesting article here about shortening the tsuka which also shows some construction of the handle.





Tuesday, 24 March 2009

Good intentions

Go check out Conskeptical's article about intentions in everyday life. 

Or getting more done with less effort.

Or how I learned to stop worrying and love the bardo.




Monday, 23 March 2009

Karate ni sente nashi

As I was reading the news online today I was minded of the famous Funakoshi quote, "Karate ni sente nashi". This translates as, "there is no first attack in Karate". 

You could argue about the exact translation or the meaning behind this phrase but the article I saw made me think about this in a slightly different way. Or maybe it's the same meaning. The article is a very sad case of a man who in his rage punched another guy and killed him. Technically it was the head banging onto the floor which killed him but either way he's dead. He's been taught a lesson eh? Maybe that's what the aggressor thought..., "I'll teach him a lesson!"...BANG! Dead. This is how it happened, I'm not exaggerating. The incredibly sad thing is that the judge in the case says of the man who perpetrated this crime, "I am confronted with the prospect of having to sentence a perfectly respectable citizen who has committed an act which has had simply appalling consequences." 

The judge sees him as a "perfectly respectable citizen" who has (this is my interpretation) lost his cool in a moment of madness and decided to teach the other guy a lesson. Well it seems that the lesson is a very harsh one: death of a young fella and maybe 2 and a half to four years in nick.

Behind Funakoshi's saying there may be an idea of benevolence towards our fellow humans (let's all get on). We encounter so many people in our daily schedule that invariably we'll come across a dickhead from time to time (and don't get me wrong- I'm sure I'm somebody else's dickhead from time to time too!). Don't strike out says Funakoshi, don't attack: use your art for self preservation. The added dimension to this that I feel this news article brings to me is that it highlights the fragility of the human body. 

I studied Systema for two years under some fine teachers and at one seminar we were coached by Vladimir Vasiliev: one of the head honchos of Systema who, when asked how he dealt with aggression, said that he avoided, shirked it. He yielded, and tried not to get into a physical fight. His point was that the human body is fragile. Despite being very well trained and knowing how to disable assailants without killing them, even he knows that things can go wrong and someone could end up dead. If he can help it, he just doesn't take the risk. And he makes sure he can help it by not being there.

Of course this is all rather a negative view of why not to strike first. A way of self-preservation. As I said at the beginning there may be many ways to interpret Funakoshi's saying, or maybe he just intended it as read. My main point is to highlight this rather sorry tale of a guy who strikes in anger "not in self defence" and to see the terrible results.

Keep your cool. Don't lose your head. Don't lash out. 

To finish with here's a (sort of ) relevant Systema video with Vasiliev showing 'redirection' of an  opponent.











Sunday, 22 March 2009

Wednesday, 18 March 2009

Chinese heritage of Tang Soo Do

This is to finish off the series of articles on the subject of the history and influences of Tang Soo Do. In the last article I focused much on the Japanese influences owing to the occupation of Korea by Japan (1905-1945) and the influence it had on Tang Soo Do: kata and framework of the style seem to have been drawn largely from karate. Contemporary Tang Soo Do differs in many ways from karate, notably with its acrobatic and powerful kicks and this is what I'll examine here.

Some official Tang Soo Do training manuals are swift to point out that this Korean art can trace its lineage back 2000 years and has particularly been developed by the Hwarang warriors. It's easy to see why this claim is made as the Hwarang were an elite fighting corps which unified a once fractured Korea. What I don't understand is how this claim can be substantiated given that the forms are of Japanese origin and many of the drills and combinations are also shared by Japanese and Okinawan styles. What is certain about Tang Soo Do is that the kicks used in this style are different from the Japanese styles. There are much more acrobatic kicks used and this, I feel, is where the indigenous Taekyyeon and Subak may have passed on some of their martial arts 'DNA'. 

Northern Chinese style Kung Fu must have influenced Korean martial arts such as Subak and indeed King Sunjo (1567-1608) took an interest in Chinese arts after having read a Ming dynasty martial arts manual by Chuk Kye-Kwang. He was so interested that he invited the Ming military officers to demonstrate their warring arts and the notes which were taken eventually became the Muye Jebo (Martial Arts Illustrations) which is seen as the benchmark of martial arts documentation in Korea. As well as technical aspects of martial arts the Chinese may well have passed on some of the Northern style of Kung fu with its high kicks, flowing movements and jumping techniques. This is said to come from a people who lived in the plains of China where horse communication was made easy by the lack of great mountain ranges or rivers to bar progress. Jumping techniques may have been developed to dislodge mounted warriors and the Korean arts were certainly influenced by the Chinese martial systems of the time.

Check out this impressive performance of Chang Quan - a Northern style of Kung Fu. It isn't Tang Soo Do but the kicking techniques seem closer than to karate. Even to the extent of the way this practitioner turns and flows into jumping and spinning techniques.