Saturday, 4 December 2010

Mind power: keeping clarity when others are trying to spoil your game

"The essence of good cricket is having a clear mind, so the strategy for the fielding side is to get the batsman thinking about other stuff - whether it's the runs he has or hasn't scored in the past, what his feet might be doing, what his head position might be, what the selectors might be thinking about him, what the crowd might be saying," explains Justin Langer, former (excellent IMO) Australia cricket opener.

"As soon as you start thinking about those things, you're away from having clarity in your mind. That's what sledging is for me - sowing some seeds of doubt in a player's mind. But if you're playing well, with that clarity, it can't touch you."

(Taken from: http://www.bbc.co.uk/blogs/tomfordyce/2010/12/revolution_in_the_head.html)

Interesting take on mind power: keep a clear mind when there is around you trying to put you off. This shows great self awareness too: confidence in your own abilities.


Monday, 29 November 2010

Cold floor, seminar and moustaches

Even real men feel the cold. Even real men with moustaches for Movember feel the cold, wintry, November floors of dojos. That's what me and fellow Movember bandido felt when we went down to the Bristol winter seminar for some extra tuition.

As ever with Shorinji Kempo the folk were friendly and we had a good time and picked up a few learning pointers along the way.



Sparring practice and eager to score

A tiring session tonight started with some light randori to warm up and also to see what issues fell out of these encounters with which to work upon. On of the things that sensei TO mentioned was the concept of winning before the engagement. An idea which involved trying to stack all the cards in your favour before the conflict even starts: something which can involve many elements but on the physical level it can mean making the opportunities for yourself without getting hit too much.

It occurred to me as we were discussing this that all my martial arts career I've always been eager to win the point. In sparring I tend to take the fight to my opponent always looking for opportunities but hungry for those occasions to arise. Wanting to land the kick or punch so much that I'd spar offensively. I wouldn't say I was impatient but I certainly usually look to put pressure on my opponent, chasing him or her down. The trouble with this strategy is an experienced opponent can simply wait and pick you off.

So this evening's lesson was simply that I should look to make the opportunities without the rush into conflict. Hold back, see the lay of the land and react to the opponent's techniques. Sounds rudimentary but I have to confess that it's something I still need to work on.


Friday, 26 November 2010

Shorinji kempo as self defence

Last night I was battered by a woman and it reassured me.

Sensei set up a sequence of attacks or approaches which could easily be seen as self defence moves and my partner (a woman of much slighter build) and I started practising. We both took turns as the aggressor but it was quite obvious to me she was executing good technique and obvious to others that she was throwing me around the dojo. This made me feel pretty good. I knew I wasn't faking it (not being easy on her-in fact sometimes I was quite awkward) and my partner, SD, had to make the technique work within this self defence framework. It gave me a good feeling of reassurance that what sometimes seem as quite formal techniques can be effective as self defence moves; all this as she bounced me off the walls.

I'm not saying that this is 'Woman's Self Defence' (a term I find incredibly condescending) nor that I'm pleased a *woman* can make these techniques work, simply that I felt a smaller, slighter person can be effective on a heavier aggressor who acts with feeling and with intent.

What is not considered in this format, of course, is street environment or street clothing. Any dojo 'self defence moves' are really no more than an approximation of the physicality of what might happen in the street/bus/tube. We walk into a dojo with sports specific clothing, bare feet, clean flat floors and bright lighting. None of these elements are guaranteed on the street.

This does not mean practising the self defence technique is worthless. If it's never used then it can never be conceived of or tapped into at a subconscious level when needed.


Monday, 15 November 2010

Aikido, Judo and Iaido throws

Just a quick look at some 'nage' or throws in Aikido, Judo and interestingly an iai form with a throw (although this is possibly an Aikido waza with swords-anyone?). The obvious similarity which runs throw all of these different techniques is the use of the opponent's momentum: body movement or tai sabaki. In the sword form it's much more subtle as the movement of the opponent's body is his flinch against the strike as the instigator capitalises on this and carries the movement down to the floor.

Irimi nage - Aikido




Tai Oshi - Judo




Kumitachi

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Wednesday, 20 October 2010

Kata, Hyung tonifies the body

I was asked to do Pyung Ahn Oh Dan yesterday. In fact, I offered as it's a hyung I need to practice, so I executed it three times: once to the count, twice without a count and boy did I know about it! I'd forgotten how many different stance changes there were, and of course...the jump.

In any case, I felt like I'd had a real workout by the end of it! A martial arts lesson for us all I think: kata or hyung can really tone up our bodies if practised assiduously.

As I searched for Pyung Ahn Oh Dan I came across the shotokan equivalent (or vice versa you may argue!) pinan godan and found it interesting to juxtapose the videos of the forms.

The first one is classical Tang Soo Do hyung. The second one seems almost shotokan in its delivery but still intended as Tang Soo Do. And the third one is definitely karate Japanese (Okinawan) style kata. But all in all, similarities run through them all I find.