Showing posts with label Goyararu. Show all posts
Showing posts with label Goyararu. Show all posts

Thursday, 26 November 2009

Sparring

When I started studying martial arts twenty years ago, I was training in Goya Ra Ru (now Tetsudo). This is a pseudo Tibetan, very modern martial art. I say pseudo Tibetan as all the stances, blocks and kicks seem incredibly similar to traditional karate styles and to me the 'Tibetan' tag is an attempt to seem different or aloof. Having said that this artform ignited in me a lifelong passion and drive for the martial arts as a wave of improving body and mind-back then it was touted as the "thinking person's martial art". Take that or not it, I found its approach to free fighting or sparring quite enlightened.

There was, and probably still is, three levels of sparring: compromised, competitive and combat. These are fairly self explanatory and as a beginner the compromised version of sparring in a stress free environment; slowed down and collaborative helps to boost esteem and skill in stringing together techniques. Both participants understand that this is a training exercise with nor pressure to 'score'. I still enjoy this form of sparring as a training exercise much like I enjoy one step and three step sparring. These contrived varieties of conflict help beginner's and experts alike. More experienced practitioners can really feel comfortable looking for striking points and target areas and feeling the flow of different opponents.

There are times and places for more intense and rapid combat but tonight at Shorinji Kempo we were encouraged by TO to really flow through the randori and it felt good. Stress free and gave me a chance to feel more what Kempo is about. Conversely I recall training in Grenoble when I was a student in France with the local University Shotokan club. While they were a nice bunch of people I never felt part of the club. I recall that their kumite or randori consisted of lining up against each other and upon 'Hajime' crap was kicked out of me. You could, of course, tell me to shut up, suck it up and take it but what I found very frustrating was that the brown belt I was sparring with would pull up half way, stop and realign. I didn't understand and he explained that he scored a point so we start again. I was a beginner so really didn't get a chance to score any points! All I got was a load of frustration, sadly. There is a way of thinking that you train in a hard way and the students have to go through a long tortuous journey of getting kicked in but eventually....they get it. They train and train and get pounded but sooner or later 'ils pigent'.

I prefer the slower but more thoughtful approach.











Monday, 20 August 2007

Same, same....but different!

Shorinji Kempo tonight was, well: same, same but different! When I travelled to Vietnam with my wife we encountered many excellent salesmen all selling very similar items and each one wanting you to buy from them rather than their rivals. As a result, if I asked if something they were selling was the same as the one sold in a shop I'd seen or by another vendor they would reply: "Yes, yes. Same, same....but different"!

I have studied martial arts in one form or another for almost 20 years. I started with Goya Ra Ru at university (now split into Tetsudo and Goya Ra Ru), then started Tang Soo Do when I was living in Belgium. I started this based on the leaflet that came through my door at the time when I was thinking about continuing my martial studies. The leaflet said: "Venez vous entrainer, sans perdre la sourire". Excellent philosophy I thought!

And this brings me to Shorinji Kempo: also a striking art with elements of locks, twists and throws. Same as Tang Soo Do really? Erm, well no. My point isn't to highlight the differences, just that tonight whilst practicing moving kihon (joined moves of blocks, kicks and punches) I found it hard work! Mostly because everything I knew and had trained hard for during many years was very similar....but not quite what was needed. The movements felt right but I executed them clumsily. Thinking too much. The sensei emphasised the need for good flowing attacks, not stilted 1-2-3 moves. My partner obliged and finally it started to flow. His point was that your if the attack is fast, flowing and determined, then your reactions take over and this can in fact help refine your technique.

I got a lot from tonight's training: after being frustrated because it was similar to what I had known but different enough (in terms of focus and strategy) for me to stumble through the first exercises, then through a slight moment of clarity when it flowed as it should...